Doomsday Machines
Subscribe
Sign in
Home
About
Tags
Archive
Newsletters
Nuclear war
Will the survivors envy the dead?
Tracing the origins of a popular trope about nuclear war
Dec 19
•
Alex Wellerstein
23
3
2
"Nuclear weapons repel all thought, perhaps because they can end all thought"
Martin Amis on the difficulties of writing about nuclear war
Nov 14
•
Alex Wellerstein
52
5
5
Bolt out of the blue
Kathryn Bigelow's "A House of Dynamite"
Nov 7
•
Alex Wellerstein
49
19
6
"I have sought to slaughter as few civilians as possible."
The rabid, apocalyptic Beat poetry that is "Mission with LeMay"
Oct 16
•
Alex Wellerstein
53
21
5
Inventing the Doomsday Machine
It is not a thing a sane man would do
Sep 26
•
Alex Wellerstein
33
5
2
"Understanding nuclear weapons"
Techno-political nuclear graphic design in the 21st century
Sep 19
•
Alex Wellerstein
42
7
2
Nuclear families
The imagery of the "family" in fallout shelter pamphlets, 1959-1961
Apr 11
•
Alex Wellerstein
35
11
4
"The battlefield is everywhere"
The wild nuclear maps of "Wild" William Bunge (1988)
Dec 28, 2024
•
Alex Wellerstein
114
6
15
Exponential stockpiles
How the meaning of the Cold War nuclear arms race both is and isn't revealed in the data
Dec 19, 2024
•
Alex Wellerstein
44
7
3
The Occasion Instant, 1961
What can be learned from how people responded to false alarms about nuclear war in the late 1950s?
Sep 11, 2024
•
Alex Wellerstein
27
8
9
The perfect horror of Chesley Bonestell's nuked New York
Gritty realism in the artwork for a 1950 article on "Hiroshima, U.S.A."
Aug 21, 2024
•
Alex Wellerstein
44
13
7
This site requires JavaScript to run correctly. Please
turn on JavaScript
or unblock scripts